Lighting Design燈光設計

CLEANSEDCLEANSED

January 2024 · PlayUniversity Theater, Yale School of Drama · New Haven · United States

Playwright: Sarah Kane

Director: Garrett Allen

Scenic Design: George Zhou

Costume Design: Rea J. Brown

Lighting Design: Yung-Hung Sung

Sound Design: Minjae Kim

Photography: Yung-Hung Sung

January 2024・戲劇University Theater, Yale School of Drama ・New Haven・美國

編劇:Sarah Kane

導演:Garrett Allen

舞台設計:George Zhou

服裝設計:Rea J. Brown

燈光設計:宋永鴻

音效設計:Minjae Kim

攝影:宋永鴻

PRESS媒體評論

I thought the design was really beautiful, the use of lighting especially,” said audience member and student Elliot Lee DRA ’26. “It was very emotionally effective.” Lighting played a crucial role in the show, highlighting the extremity of the scenes. Stark-white lights filled up the Tinkers’s office, instilling a sense of unease, while moody purple and green lights set apart the Tinker and the sensual Woman he was infatuated with. Blinding, heavenly lights shone out toward the audience in the final scene as the only two surviving patients left the institution.觀眾暨戲劇學院學生 Elliot Lee(DRA ’26)表示:「我覺得整體設計非常美,尤其是燈光的運用,情感上的感染力很強。」 燈光在演出中扮演了關鍵角色,突顯每個場景的極端張力。刺眼的純白光充滿 Tinker 的辦公室,營造出令人不安的氣氛;幽暗的紫光與綠光,則將 Tinker 與令他著迷、充滿感官魅力的 Woman 區隔開來。到了最後一幕,當收容機構中僅存的兩名病患離開時,耀眼而宛如天光的燈光直射觀眾席。

‘Cleansed’: a story of violence, grief and hope — Yale Daily News​ · 2024-01-26